At Cardinal Keyboard day a few weeks ago I had the opportunity to observe a masterclass and lecture by Elizabeth Grace, M.M. Ms. Grace is an expert in the Taubman Approach, a holistic method of movement that attempts to eliminate tension that could cause injury, specifically for pianists. Dorothy Taubman (1917-2013) believed that “if playing the piano doesn’t feel delicious and euphoric, you’re doing something wrong,” and she studied anatomy thoroughly to develop a system of coordinate motion that would prevent injury before it began.

Ms. Grace discussed the principle of alignment (joints moving naturally as opposed to straining or moving in unhealthy ways) as well as stability vs. mobility (joints as systems of leverage that should be powerful and properly balanced but still able to move quickly) in her lecture, as well as addressing troublesome habits such as curling the fingers, twisting at the wrist, collapsing knuckle joints, stretching in unnatural ways, and isolating digits from the palm when playing the piano. Instead, she suggested some good methods for maintaining proper alignment, like sitting at the proper height and distance from the piano, using whole-body movement, and ensuring the torso, forearm, hand and fingers, and thumb remain aligned but not tense when practicing. She also recommended that pianists utilize techniques such as horizontal movement into the keys, confirming correct fingering, and taking mid-range notes with different hands, all of which should be noted on the score as best practice. 

If you or someone you know experiences pain or tension when playing piano or any instrument, please research the Taubman Approach for a helpful and holistic set of techniques to eliminate misalignment that could cause injury. We are often told as musicians that pain is just something that happens when you practice for long periods of time and should be ignored as a sign that your muscles are underdeveloped, and this is why many musicians suffer injury or near-injury before realizing that it’s not a lack of physical strength, but a lack of knowledge and technique causing the issue.

What was your favorite song or dance from the show?

Ivan Calderon (Musidorus/Cleophila): “We didn’t play the full song in the show, but ‘Lust to Love’ is hands-down my favorite song. […] In the show, we get to add fight choreography to it, so it’s epic, it’s so much fun. Every time, I remember leaving—especially during tech week—leaving rehearsals just blasting ‘Lust to Love’ on repeat… That was my anthem throughout the week.”

Lianna Morelli (Mopsa): “My favorite song is probably ‘Automatic Rainy Day.’ My favorite dance, though, was the dance we did in “Head Over Heels,” which was the opening to Act 2. I just had a really good time with it.”

Cal Perkins (Dametas): “I have to say I’m torn between two. ‘Here You Are’ is my favorite song for sure. I just love the different harmonies and just the lyricism that’s beautiful with the actual motion. It’s tied with ‘Vision of Nowness’ for sure. I didn’t really get to dance in that, but it was so hard not to sing during it because that’s my favorite Go-Go’s song for sure.”

Who was your favorite character?

Calderon: “Standouts for me would be Basilius [played by Marquis Williams] and Pamela [played by Emma Kelly]. I like both of them a lot. For me, just being a scene partner, particularly with Emma, who played Pamela. Getting to witness the sass sometimes led me to almost breaking [character] on stage.”

Morelli: “Honestly, I just think [Queen] Gynecia [played by Kassidy Schmidt] is a badass. She put up with being cheated on for a really long time, and I love her character arc, and I love that she gets to take over the kingdom at the end.”

Perkins: “Basilius is definitely one of my favorite [characters]… Just being able to be on stage with Marquis and kinda just being there for the journey [that Basilius goes on] […] It’s just so fun to experience. I would honestly say I really do love Mopsa as a character. This is maybe the Demetas in me talking. [She’s] such a strong character and she is the more serious of [Mopsa and Pamela], but then again, she speaks to woodland animals. I mean, that’s baller, so I just love her character. She’s so fun.”

How did you handle playing a character that was less accepting of queer identity than you?

Perkins: “When I got cast [as Demetas], I was like, ‘Okay, this will be a change,’ and then realizing that he becomes an ally at the end was relieving, honestly. Aside from that, I have a lot of my family [that] doesn’t want to touch anything LGBTQ+ or anything of that sort. So I kind of had to think about what [my family] would think and what Demetas’s journey has been. It was a little interesting as someone who is trans/genderfluid, being on a stage and trying to play a cisgender man who exiled his partner and is realizing that his daughter is lesbian. The character arc was so interesting to play with and think about.”

What did you enjoy about the queer aspects of your characters?

Morelli: “Mopsa explores more of the sexuality part than the gender side of [queer identity].  It was interesting for me to try and find where Mopsa is in trying to get Pamela to have [the] realization [that she is a lesbian] because you see it throughout the show. Especially in the poetry scene, Pamela’s very close to realizing what it is that she wants. And Mopsa says, ‘You’re so close, you’re right there,’ and the whole time she’s trying to do it without being too pushy.”

Calderon: “I like how Musidorus subverted the trope of the heroic journey. He doesn’t really have the means to be a knight or a warrior or a hero of any standard means, but then he is bestowed this power [that we see in the fight scenes]. [Playing Musidorus] allowed me to not feel restricted on stage to any extent… as an actor, I just had a lot of fun on stage being confident in my body and myself and doing my thing.”

What do you hope audiences take away from the production?

Emma Kelly (Pamela): “The message I wanted to give is to be seen. I want people like this [i.e., queer people] to be seen. Pamela from the beginning—she loves herself, but she doesn’t know what else she loves. There’s clearly something missing, and I think there’s a lot of people out there that struggle with knowing that there’s something different but [not quite knowing] how to articulate it. […] A lot of times, people don’t know these relationships [exist] because they don’t actively see them… But a show like this is making people see [queer relationships] and hear about [them] in a way that is palatable—in a way that is understanding.”

Marquis Williams (Basilius): “Breaking traditions and change can benefit everything. Basilius is such a man of tradition. And the reasons why he made the decisions he made was that he felt threatened. He’s like, ‘I can run the kingdom.’ And that was in the beginning. But once he decided to accept change, that’s when everything ended [better than it was initially]. Change breaks traditions and breaks boundaries.”

Calderon: “I really wanted people to find entertainment from this [production]. […] Of course, we want our audience to enjoy themselves because then there’s that feedback and energy where we raise the state [of the show] or raise the energy as well. People who haven’t seen this kind of media before aren’t really used to seeing queer representation on stage. [Those people will] just find enjoyment in seeing it. […] To some extent, even though maybe there are some aspects where older audiences or more conservative audiences won’t really agree with certain aspects of the show, at least they’ll connect with it, which will allow that representation to be seen as good entertainment as well, but also in a way that’s done correctly and thoughtfully and meaningfully.”

Morelli: “There’s a line in the show that says, ‘No true paradise remains in place forever.’ I think that sums up what I want people to take from the show. […] Things change and things happen and you have to be accepting of that change. As people are discovering who they are, as people come out, as people make these self-discoveries, it’s so important for the people around them to just be there and be accepting and be loving and kind with the way they interact and they speak to them, no matter what they think about it. It’s good. Change can be good. Change encourages progress. And I think that to create the truest paradise we just have to be accepting.”

Concluding Thoughts

Jewell Theatre Company’s “Head Over Heels” was a breath of fresh air. The cast placed significant emphasis on queer representation in the show; seeing queer people and relationships in media is crucial to build a more accepting future. Plus, the company’s “Head Over Heels” production was good theater. I cannot wait to see what JTCo comes up with next! 

To see more performances from Jewell’s Department of Performing Arts, check the Department’s performance calendar here. You can also follow @jewelltheaterco on Instagram.

Loose Park

Tucked away in the heart of Kansas City lies Loose Park, a sprawling 75-acre. Meander through its lush greenery and discover the enchanting rose garden, home to over “3,000 roses of nearly 130 varieties.” Best of all, admission is free, making it an accessible retreat for all to enjoy.

Kansas City Ferris Wheel

For a unique perspective of the city, head to the Kansas City Ferris Wheel at Union Station. Climb aboard a private gondola, accommodating up to six people, and ascend to new heights as you marvel at panoramic views of the skyline. Tickets are $16.50 for adults. 

Tulip Festival

Escape the hustle and bustle of the city and embark on a countryside adventure at Fun Farm in nearby Kearney. There awaits the annual Tulip Festival from Apr. 5 to Apr. 28, a celebration of spring’s vibrant colors and natural beauty. With over 1.5 million tulips in full bloom, it’s a sight to behold and a photographer’s dream come true. Wander through endless fields of blossoms and pick your favorites to take home. Tickets are $21.95, offering access to a floral paradise.

Ewing and Muriel Kauffman Memorial Garden

Step into a peaceful world at the Ewing and Muriel Kauffman Memorial Garden, where art and nature intertwine in perfect harmony. Adorned with bronze sculptures by Tom Corbin, this tranquil garden boasts lush foliage, colorful blooms and playful fountains. With its free admission, it’s the ideal destination for those seeking serene moments amidst the beauty of spring.

River Market

Nestled just South of the Missouri River lies the historic River Market. Gather your friends and family at the heart of the region’s vibrant culture at The City Market, home to the area’s largest farmers market. Every Saturday and Sunday, year-round, over 140 stalls offer a cornucopia of fresh produce, flowers, delectable baked goods and an array of locally crafted treasures. 

First Fridays

Experience the pulse of creativity during First Fridays, a beloved tradition where, on the first Friday of every month, residents and visitors converge upon the Crossroads Arts District in Kansas City. Immerse yourself in the city’s artistic essence as galleries, studios and businesses showcase the works of local, regional, national and international artists. 

Pickleball

Dive into the vibrant world of pickleball, an outdoor sport that combines elements of tennis, badminton and ping pong. Whether you’re a seasoned player or a curious beginner, Kansas City offers several pickleball courts waiting to be explored. From community parks to recreational centers, you’ll find diverse venues catering to players of all skill levels. There are websites to discover the perfect court for your next match. 

Monarchs Baseball Game

Step into the exhilarating atmosphere of minor league baseball at a Monarchs game in Kansas City. Root for the home team as they battle it out on the diamond. Tickets have a large price range, so attending a Monarchs game is an accessible and enjoyable outing for individuals and groups alike.

Hiking at Burr Oak Woods

Embark on a journey of exploration and discovery amidst the natural splendor of Burr Oak Woods, full of rolling hillsides, lush woodlands and meandering trails. This nature reserve offers a sanctuary for outdoor enthusiasts. Here you can immerse yourself in the sights and sounds of the wilderness. Whether you’re an avid hiker or prefer a casual stroll, Burr Oak Woods is a great option with its scenic beauty and diverse ecosystems. 

Leprechauns, gold coins, Irish flags, vibrant parades and green everything. These are common features of St. Patrick’s Day celebrations around the Kansas City area that you can expect to see this year. A little known fact about Kansas City is that Irish heritage is the second largest self-identified ancestry in the area. The prominence of this heritage has led to the recognition of the Irish immigrants who helped makeKansas City the thriving hub that it is today.

In the mid-1800s, the towns of Westport and Independence were centers of commerce for those living in the surrounding areas and others that were traveling on the Santa Fe and Oregon trails. Irish immigrants living in these towns established themselves in the area through helping to build roads and railroads that developed the Kansas City area and connected it to the rest of the country.

Along with their role in establishing the infrastructure of Kansas City, Irish immigrants also brought their culture and heritage here through their food, music, dance and celebrations. One such celebration is St. Patrick’s Day.

St. Patrick’s Day is a traditional Irish celebration that occurs annually on March 17, the anniversary of the death of Saint Patrick. The Irish have observed this day as a religious holiday since around the ninth or 10th century. What began as a Roman Catholic feast day has now evolved into a worldwide celebration featuring parades, leprechauns and revelry. 

The Kansas City St. Patrick’s Day Parade is celebrating its 50th year with the theme of “50 Cheers to 50 Years” on March 17. The parade will feature a variety of entries that celebrate the Irish heritage through traditional music, dance and icons like the shamrock. Beginning at 11 a.m. at Broadway & Linwood, the parade route proceeds along Broadway and ends in Westport. 

Businesses along the parade route will be selling food and drink, so make sure to stop by some Irish-owned businesses in the area such as Browne’s Irish Marketplace. For those of age, you will be sure to find some hearty Irish-themed pubs throughout the metro such as O’Dowd’s at the Country Club Plaza, Kelly’s Westport Inn near the end of the parade route or McFadden’s Sports Saloon in the Power & Light District.

St. Patrick’s Day brings about a vibrant and celebratory environment to the Kansas City metro, so make sure to get out and enjoy the festivities before heading back to class after spring break!