Summer brings nostalgia for many people. Whether it’s going on vacation with family or attending summer camps with friends, memories of this time are often cherished. Another key point to this season is the music we listen to and what we deem our soundtrack for the summer. Every year the listening vibe changes based on artists and mood. Last summer it was the song “Ordinary” by Alex Warren, and the year before that it was “Espresso” by Sabrina Carpenter. These songs are very different from one another, but they still fall under the pop category. “Ordinary” is very emotional and is an outpouring of the singer’s feelings for his significant other, where “Espresso” is more of a fun and upbeat tune that makes people want to dance. With both of these exciting hits, what will the next Summer showstopper be?

Olivia Rodrigo’s new album “you seem pretty sad for a girl so in love” is set to be released on June 12, and is already showing a lot of promise. Rodrigo released a single titled “Drop Dead” from the album earlier this year and it grew in popularity quickly. With this single climbing the charts, and the success she gained from her last two albums, it is safe to assume she could have one of the leading sounds this Summer. It is also likely that the trends will stay consistent with the pop theme that has been present in previous years. 

My favorite album to listen to during the summer is Staying at Tamara’s by George Ezra. This album was released in 2018, and it has not failed me for a summer yet. The mood is slower with a more mellow feeling throughout the album. Ezra uses storytelling along with an acoustic sound to paint the listener a picture of a blissful time. My personal favorite to listen to with my windows rolled down on a nice summer outing is “Shotgun.” It talks about a simple life where the only thing the singer is worried about is riding in the front seat of a car on a beautiful day. This album is the perfect way to start a summer road trip or barbeque with friends and family. As I said before, summer brings many memories, and music holds a lot of memories as well. Therefore, instead of only playing the new hits this June, it might do us some good to hear from previous artists that have paved the way for new summer hits. All in all, when it comes time in a couple weeks, you better believe I will be riding shotgun and listening to my hit sounds for the summer.

This week, the William Jewell Opera and Jewell Theatre Company are putting on a production of Orpheus in the Underworld. While you probably know the tale of Orpheus and Eurydice from more modern shows like Hadestown, this 1858 comedic opera by Jacques Offenbach spins Greek Mythology into an utter farce. The story loosely follows Orpheus and Eurydice, a young couple in a loveless marriage. Both have found other lovers. Eurydice has unknowingly fallen for Pluto, God of the Underworld. Pluto takes Eurydice away, and Orpheus is overjoyed until Public Opinion finds out what has occurred. Public Opinion demands that he travel to Olympus to ask the King of Gods, Jupiter, for Eurydice’s return from the underworld; if he does not, Orpheus will lose his career. Meanwhile, Eurydice has been trapped in the underworld, and her fate balances in the hands of the many gods who see her as a distraction from their otherwise boring lives.

The cast consists of 14 students, who study a variety of majors but all share a common interest in the performing arts. The production has been led by Music and Stage Director Dr. Laura Lowry, Collaborative Pianist and Assistant Music Director Leslie Bunch, and Technical Designer Nathan Wyman. The student leadership of this production stands out, as they went above and beyond to support their colleagues and present a quality show. The instrumental section is completed by Violinist Bryson Gates. Choreography was done by Lauren Taylor, Technical Direction by Lianna Morelli, Costumes, Hair, and Makeup were designed by Kai Robbins, Poster and Program Design by E.E. Naber and Bryson Gates. The Tech Crew includes Milo Johnson, Zachary Muñoz and Molly Touzinsky.

I was able to speak with Choreographer Lauren Taylor and Costume Designer Kai Robbins about their involvement and experience with putting together the opera. Lauren Taylor is a Senior majoring in Education and Psychology. Lauren choreographed several shows while in high school, but this is her first time choreographing a show in college. When asked about her favorite part of the production, Lauren said it was “making up choreography, which I’m like, ‘I don’t know if this is gonna work’. And then the first time that everyone did it together and it finally worked out I was like, ‘woah, it actually looks so good’.”

Kai Robbins is a first-year majoring in Political Science. Kai has previously worked on costumes, hair, wigs and makeup both in high school and earlier this fall for the Jewell Theater Company’s Production of Two Rooms. Kai said that their favorite part of this production was “Getting to piece it all together in these last couple of days. The lights coming together, and everyone’s vocals coming together. I’m finally getting costumes ready and everything, and watching everyone try them all on. Just like, every puzzle piece finally fitting together.”

There are only three chances to see this incredible opera. The show starts at 7pm on Thursday, April 23^rd and Saturday, 25^th, as well as 3pm on Sunday the 26^th. The show will be on campus in Peters Theater. There are no tickets for this show, rather a suggested donation of $10 at the door. We hope to see you there!

At Cardinal Keyboard day a few weeks ago I had the opportunity to observe a masterclass and lecture by Elizabeth Grace, M.M. Ms. Grace is an expert in the Taubman Approach, a holistic method of movement that attempts to eliminate tension that could cause injury, specifically for pianists. Dorothy Taubman (1917-2013) believed that “if playing the piano doesn’t feel delicious and euphoric, you’re doing something wrong,” and she studied anatomy thoroughly to develop a system of coordinate motion that would prevent injury before it began.

Ms. Grace discussed the principle of alignment (joints moving naturally as opposed to straining or moving in unhealthy ways) as well as stability vs. mobility (joints as systems of leverage that should be powerful and properly balanced but still able to move quickly) in her lecture, as well as addressing troublesome habits such as curling the fingers, twisting at the wrist, collapsing knuckle joints, stretching in unnatural ways, and isolating digits from the palm when playing the piano. Instead, she suggested some good methods for maintaining proper alignment, like sitting at the proper height and distance from the piano, using whole-body movement, and ensuring the torso, forearm, hand and fingers, and thumb remain aligned but not tense when practicing. She also recommended that pianists utilize techniques such as horizontal movement into the keys, confirming correct fingering, and taking mid-range notes with different hands, all of which should be noted on the score as best practice. 

If you or someone you know experiences pain or tension when playing piano or any instrument, please research the Taubman Approach for a helpful and holistic set of techniques to eliminate misalignment that could cause injury. We are often told as musicians that pain is just something that happens when you practice for long periods of time and should be ignored as a sign that your muscles are underdeveloped, and this is why many musicians suffer injury or near-injury before realizing that it’s not a lack of physical strength, but a lack of knowledge and technique causing the issue.

For Keeping Up With the World

The Daily and Today Explained

• What they are: Both are daily news podcasts that break down current events in a way that’s easy to follow.
• My take: I listen to these pretty interchangeably. On a good day, I’ll listen to both, but if I don’t have time I just pick whichever episode sounds more interesting. For me, they’re less about enjoyment and more about making sure I know what’s happening.
• Who will like it:  Anyone who wants to stay informed without constantly scrolling the news. Especially good if you’re busy and just want a quick, clear breakdown of one major story.
• Where to start: Just start with today’s episode—that’s the whole point.

For Politics, Culture, and Strong Opinions

In Bed with the Right

• What it is: A podcast analyzing right-wing ideas about gender, sex, and sexuality, and how they still shape politics today.
• My take: This one feels really thoughtful but still engaging. It helps you see how certain ideas have evolved.
• Who will like it: People interested in feminist theory, political ideology or understanding the cultural roots behind modern politics.
• Where to start: The two-part series on Phyllis Schlafly.

5-4

• What it is: A podcast about the Supreme Court of the United States and how political its decisions really are.
• My take: This is basically anger and sarcasm in podcast form. It’s very snarky and opinionated, but also really effective at explaining complicated legal cases.
• Who will like it: Anyone who enjoys political commentary with personality, especially if you like podcasts that are a little blunt.
• Where to start: “Bush v. Gore” – you’ll immediately get the tone.

Diabolical Lies

• What it is: A long-form culture and politics podcast that digs into media, power and the stories we believe.
• My take: This is my favorite podcast right now but it’s definitely not for everyone. It’s slower and really focused on unpacking ideas.
• Who will like it: People who like deep dives into culture and politics, and don’t mind something more thoughtful and less fast-paced with a little (or a lot) of snark. 
• Where to start: If you are more interested in culture I would recommend “Is There a ‘Skinny Apocalypse’ in Hollywood?” If you want more political analyses try  “Why America Can’t See Gaza”

For True Crime 

Crime Junkie

• What it is: A weekly true crime podcast covering everything from missing persons to major cases.
• My take: I think it deserves the hype; it’s easy to follow and consistently interesting. But if you’re only picking one Ashley Flowers podcast, I wouldn’t start here. As much as I love this podcast, International Infamy, is an even better introduction to the world of true crime.
• Who will like it: Anyone new to true crime (or podcasts in general) and are looking for something straightforward and consistently engaging.
• Where to start:  “Infamous: Darlie Routier part 1”

International Infamy

• What it is: Also hosted by Ashley Flowers, this podcast explores infamous crimes from around the world.
• My take: I binged this one. I really enjoyed the global scope, and the fact that it’s short (only 15 episodes) makes it feel very manageable and easy to get.
• Where to start: Honestly, any of the 15 episodes. Since it’s a short series, it’s easy to jump in anywhere and just go from there.

Final Thoughts

If you’re trying to get into podcasts, don’t try to listen to everything at once. Pick based on your mood. The hardest part is just starting—but once you find the right episode, it’s easy to get hooked.