Summer brings nostalgia for many people. Whether it’s going on vacation with family or attending summer camps with friends, memories of this time are often cherished. Another key point to this season is the music we listen to and what we deem our soundtrack for the summer. Every year the listening vibe changes based on artists and mood. Last summer it was the song “Ordinary” by Alex Warren, and the year before that it was “Espresso” by Sabrina Carpenter. These songs are very different from one another, but they still fall under the pop category. “Ordinary” is very emotional and is an outpouring of the singer’s feelings for his significant other, where “Espresso” is more of a fun and upbeat tune that makes people want to dance. With both of these exciting hits, what will the next Summer showstopper be?

Olivia Rodrigo’s new album “you seem pretty sad for a girl so in love” is set to be released on June 12, and is already showing a lot of promise. Rodrigo released a single titled “Drop Dead” from the album earlier this year and it grew in popularity quickly. With this single climbing the charts, and the success she gained from her last two albums, it is safe to assume she could have one of the leading sounds this Summer. It is also likely that the trends will stay consistent with the pop theme that has been present in previous years. 

My favorite album to listen to during the summer is Staying at Tamara’s by George Ezra. This album was released in 2018, and it has not failed me for a summer yet. The mood is slower with a more mellow feeling throughout the album. Ezra uses storytelling along with an acoustic sound to paint the listener a picture of a blissful time. My personal favorite to listen to with my windows rolled down on a nice summer outing is “Shotgun.” It talks about a simple life where the only thing the singer is worried about is riding in the front seat of a car on a beautiful day. This album is the perfect way to start a summer road trip or barbeque with friends and family. As I said before, summer brings many memories, and music holds a lot of memories as well. Therefore, instead of only playing the new hits this June, it might do us some good to hear from previous artists that have paved the way for new summer hits. All in all, when it comes time in a couple weeks, you better believe I will be riding shotgun and listening to my hit sounds for the summer.

This week, the William Jewell Opera and Jewell Theatre Company are putting on a production of Orpheus in the Underworld. While you probably know the tale of Orpheus and Eurydice from more modern shows like Hadestown, this 1858 comedic opera by Jacques Offenbach spins Greek Mythology into an utter farce. The story loosely follows Orpheus and Eurydice, a young couple in a loveless marriage. Both have found other lovers. Eurydice has unknowingly fallen for Pluto, God of the Underworld. Pluto takes Eurydice away, and Orpheus is overjoyed until Public Opinion finds out what has occurred. Public Opinion demands that he travel to Olympus to ask the King of Gods, Jupiter, for Eurydice’s return from the underworld; if he does not, Orpheus will lose his career. Meanwhile, Eurydice has been trapped in the underworld, and her fate balances in the hands of the many gods who see her as a distraction from their otherwise boring lives.

The cast consists of 14 students, who study a variety of majors but all share a common interest in the performing arts. The production has been led by Music and Stage Director Dr. Laura Lowry, Collaborative Pianist and Assistant Music Director Leslie Bunch, and Technical Designer Nathan Wyman. The student leadership of this production stands out, as they went above and beyond to support their colleagues and present a quality show. The instrumental section is completed by Violinist Bryson Gates. Choreography was done by Lauren Taylor, Technical Direction by Lianna Morelli, Costumes, Hair, and Makeup were designed by Kai Robbins, Poster and Program Design by E.E. Naber and Bryson Gates. The Tech Crew includes Milo Johnson, Zachary Muñoz and Molly Touzinsky.

I was able to speak with Choreographer Lauren Taylor and Costume Designer Kai Robbins about their involvement and experience with putting together the opera. Lauren Taylor is a Senior majoring in Education and Psychology. Lauren choreographed several shows while in high school, but this is her first time choreographing a show in college. When asked about her favorite part of the production, Lauren said it was “making up choreography, which I’m like, ‘I don’t know if this is gonna work’. And then the first time that everyone did it together and it finally worked out I was like, ‘woah, it actually looks so good’.”

Kai Robbins is a first-year majoring in Political Science. Kai has previously worked on costumes, hair, wigs and makeup both in high school and earlier this fall for the Jewell Theater Company’s Production of Two Rooms. Kai said that their favorite part of this production was “Getting to piece it all together in these last couple of days. The lights coming together, and everyone’s vocals coming together. I’m finally getting costumes ready and everything, and watching everyone try them all on. Just like, every puzzle piece finally fitting together.”

There are only three chances to see this incredible opera. The show starts at 7pm on Thursday, April 23^rd and Saturday, 25^th, as well as 3pm on Sunday the 26^th. The show will be on campus in Peters Theater. There are no tickets for this show, rather a suggested donation of $10 at the door. We hope to see you there!

Editor’s note: This article was originally published in an Apr. 24 print edition of the Monitor.

After a four-year hiatus, the “Baby” singer is back, better than ever…with YouTube Premium. At Coachella’s grand stage, Justin Bieber became one of the highest-paid artists ever to perform at the festival, earning $10 million between two weekends. Rocking baggy jorts and a T-shirt, Justin revisited old songs and memories while sitting on a stool, laptop open, searching his old music videos and memes on YouTube, where he started it all. While some complained that the performance was “lazy,” others believed it was a night of time travel full of reminiscing about adolescent years.

Songs from his SWAG album, like “All I Can Take” and “Go Baby,” kicked off the night. The middle was dedicated to that thirteen-year-old bedroom, where you danced in front of the mirror with a hairbrush in hand, featuring some Bieber favorites: “Favorite Girl,” “Never Say Never,” “That Should Be Me” and the golden, but never forgotten, melody of “Baby.” Bieber further surprised the audience by bringing The Kid LAROI onstage—marking his first Coachella appearance—as the two performed their hit collaboration “Stay.” Alongside performing covers of songs by Chris Brown and Ne-Yo, the 32-year-old singer also invited guest artists such as Dijon, Wizkid, Tems and Mk.gee to join. Whether critics hated or loved it, Bieber returns to headline the final weekend of Coachella after he made $5.04 million in merchandise sales the weekend prior. All in all, it can be confirmed that the teenage heartthrob is back and better than ever.

While Bieber stamped his night with old YouTube clips, other performers made history in other ways. Kacey Musgraves returned with a brand-new hit, “Middle of Nowhere.” Friday night’s headliner, Sabrina Carpenter, was joined by Will Ferrell, Samuel L. Jackson and Susan Sarandon; cameos that made Variety scratch their head, but fans deemed it as “iconic.” The all-Filipina-girl group, Bini, became the first Filipino act at Coachella, bringing down the house in shiny boots, ruffled skirts, energetic vibes and fierce attitudes. While the average ticket was priced at $649, and resale costs skyrocketed to $5,000, the sold-out 2026 Coachella performance delivered three unforgettable weekends for fans and the celebrities that attended, posing the question of what will be in store for 2027.

Simone’s Playlist Suggestions (Coachella-inspired):

1. All I Can Take – Justin Bieber
2. Stay – Justin Bieber, the Kid LAROI
3. Things You Do – Justin Bieber
4. Baby – Justin Bieber
5. Beauty and a Beat – Justin Bieber
6. Confident – Justin Bieber
7. Yukon – Justin Bieber
8. Espresso – Sabrina Carpenter
9. Si Antes Te Hubiera Conocido – KAROL G
10. Break It Off – PinkPantheress
11. Middle of Nowhere – Casey Musgraves
12. Talk Down – Dijon
13. No Type – Swae Lee
14. Bad Dreams – Teddy Swims
15. RATHER BE – GIVĒON
16. Bad Bad Bad – Young Thug, Lil Baby
17. Lover Girl – Laufey
18. Sailor Song – Gigi Perez
19. Gabriela- KATSEYE
20. Sprinter – Central Cee, Dave

At Cardinal Keyboard day a few weeks ago I had the opportunity to observe a masterclass and lecture by Elizabeth Grace, M.M. Ms. Grace is an expert in the Taubman Approach, a holistic method of movement that attempts to eliminate tension that could cause injury, specifically for pianists. Dorothy Taubman (1917-2013) believed that “if playing the piano doesn’t feel delicious and euphoric, you’re doing something wrong,” and she studied anatomy thoroughly to develop a system of coordinate motion that would prevent injury before it began.

Ms. Grace discussed the principle of alignment (joints moving naturally as opposed to straining or moving in unhealthy ways) as well as stability vs. mobility (joints as systems of leverage that should be powerful and properly balanced but still able to move quickly) in her lecture, as well as addressing troublesome habits such as curling the fingers, twisting at the wrist, collapsing knuckle joints, stretching in unnatural ways, and isolating digits from the palm when playing the piano. Instead, she suggested some good methods for maintaining proper alignment, like sitting at the proper height and distance from the piano, using whole-body movement, and ensuring the torso, forearm, hand and fingers, and thumb remain aligned but not tense when practicing. She also recommended that pianists utilize techniques such as horizontal movement into the keys, confirming correct fingering, and taking mid-range notes with different hands, all of which should be noted on the score as best practice. 

If you or someone you know experiences pain or tension when playing piano or any instrument, please research the Taubman Approach for a helpful and holistic set of techniques to eliminate misalignment that could cause injury. We are often told as musicians that pain is just something that happens when you practice for long periods of time and should be ignored as a sign that your muscles are underdeveloped, and this is why many musicians suffer injury or near-injury before realizing that it’s not a lack of physical strength, but a lack of knowledge and technique causing the issue.