For Keeping Up With the World

The Daily and Today Explained

• What they are: Both are daily news podcasts that break down current events in a way that’s easy to follow.
• My take: I listen to these pretty interchangeably. On a good day, I’ll listen to both, but if I don’t have time I just pick whichever episode sounds more interesting. For me, they’re less about enjoyment and more about making sure I know what’s happening.
• Who will like it:  Anyone who wants to stay informed without constantly scrolling the news. Especially good if you’re busy and just want a quick, clear breakdown of one major story.
• Where to start: Just start with today’s episode—that’s the whole point.

For Politics, Culture, and Strong Opinions

In Bed with the Right

• What it is: A podcast analyzing right-wing ideas about gender, sex, and sexuality, and how they still shape politics today.
• My take: This one feels really thoughtful but still engaging. It helps you see how certain ideas have evolved.
• Who will like it: People interested in feminist theory, political ideology or understanding the cultural roots behind modern politics.
• Where to start: The two-part series on Phyllis Schlafly.

5-4

• What it is: A podcast about the Supreme Court of the United States and how political its decisions really are.
• My take: This is basically anger and sarcasm in podcast form. It’s very snarky and opinionated, but also really effective at explaining complicated legal cases.
• Who will like it: Anyone who enjoys political commentary with personality, especially if you like podcasts that are a little blunt.
• Where to start: “Bush v. Gore” – you’ll immediately get the tone.

Diabolical Lies

• What it is: A long-form culture and politics podcast that digs into media, power and the stories we believe.
• My take: This is my favorite podcast right now but it’s definitely not for everyone. It’s slower and really focused on unpacking ideas.
• Who will like it: People who like deep dives into culture and politics, and don’t mind something more thoughtful and less fast-paced with a little (or a lot) of snark. 
• Where to start: If you are more interested in culture I would recommend “Is There a ‘Skinny Apocalypse’ in Hollywood?” If you want more political analyses try  “Why America Can’t See Gaza”

For True Crime 

Crime Junkie

• What it is: A weekly true crime podcast covering everything from missing persons to major cases.
• My take: I think it deserves the hype; it’s easy to follow and consistently interesting. But if you’re only picking one Ashley Flowers podcast, I wouldn’t start here. As much as I love this podcast, International Infamy, is an even better introduction to the world of true crime.
• Who will like it: Anyone new to true crime (or podcasts in general) and are looking for something straightforward and consistently engaging.
• Where to start:  “Infamous: Darlie Routier part 1”

International Infamy

• What it is: Also hosted by Ashley Flowers, this podcast explores infamous crimes from around the world.
• My take: I binged this one. I really enjoyed the global scope, and the fact that it’s short (only 15 episodes) makes it feel very manageable and easy to get.
• Where to start: Honestly, any of the 15 episodes. Since it’s a short series, it’s easy to jump in anywhere and just go from there.

Final Thoughts

If you’re trying to get into podcasts, don’t try to listen to everything at once. Pick based on your mood. The hardest part is just starting—but once you find the right episode, it’s easy to get hooked.

The new HBO max series, Heated Rivalry, centers on two NHL superstars playing for rival teams whose public animosity hides a private, long-running relationship. What begins as an impulsive encounter develops into a years-long connection shaped by playoff battles, media pressure, and the constraints of being closeted in professional hockey.

One of the show’s strongest elements is the acting, particularly from Connor Storrie and Hudson Williams. The two leads are relatively new actors, and that works in the show’s favor. Their performances feel natural and unforced, which keeps the romance believable. They commit to the relationship without overselling it. They play the awkwardness, competitiveness, and gradual emotional shift with restraint. The chemistry builds in a way that feels consistent rather than exaggerated. It also helps that the actors seem comfortable with each other off-screen; that familiarity translates into small, convincing moments in scenes. The quieter exchanges like pauses in conversation and subtle shifts in expression, are handled with as much care as the more overtly romantic scenes.

Despite operating on a noticeably modest budget, the show makes strategic choices that keep the focus where it belongs: on the characters. The hockey scenes rely on tight camera work and editing rather than sweeping arena spectacle, which prevents the sport from overshadowing the relationship. Many of the most important moments happen in confined spaces (such as locker rooms, hotel rooms and apartments) to emphasize the secrecy and isolation that define their connection. 

What distinguishes the series from many mainstream sports dramas is its focus on a queer relationship between two men who are genuine equals. Both are elite athletes at the top of their careers. They share comparable status, income, skill, and public recognition. Because of that symmetry, their conflicts are not driven by hierarchy but by personality differences and emotional hesitation. The tension comes from pride, rivalry and the difficulty of sustaining intimacy under constant scrutiny, not from one character holding structural power over the other.

The show also presents a version of masculinity that is competitive without being toxic. On the ice, the players are aggressive and focused on their performance, reflecting the intensity of professional hockey. Off the ice, the series allows them to show vulnerability, frustration and care for each other. Their emotional restraint is portrayed as part of navigating the sport’s culture, not as an inherent personality trait.Ultimately, Heated Rivalry stands out because it keeps the story grounded and focused. The relationship develops gradually through rivalry, hesitation, and small moments of trust rather than big dramatic gestures. By showing two equal men navigating intimacy in a competitive, high-pressure environment, the series portrays a believable and relatable romance.

This article initially appeared in a print issue of the Monitor published Oct. 31, 2025.

I’ve been working my way through a lot of books over the last couple of falls and these are the ones that stuck with me. From twisty thrillers to dark academia to nonfiction, here are my top reading recommendations for the season.

Thrillers

If you like fast-paced plots and stories that keep you guessing, these are all worth picking up.

• Pretty Girls by Karin Slaughter: This one is dark and definitely not for the faint of heart. It follows two sisters who reconnect years after their third sister’s disappearance, uncovering horrifying truths along the way. Slaughter’s writing is intense but totally gripping.
• Listen for the Lie by Amy Tintera: A fun, modern mystery that combines true-crime podcast vibes with an unreliable narrator. It’s about a woman suspected of murder in her hometown and the podcaster determined to dig up what really happened.
• All Good People Here by Ashley Flowers: A small-town journalist returns home and becomes obsessed with solving a cold case that mirrors her own past. It’s full of secrets, small-town gossip, and that classic “everyone’s hiding something” energy.
• And Then There Were None by Agatha Christie: A classic for a reason. Ten strangers are invited to an isolated island, and one by one, they’re killed off. Even if you think you know the twist, it still holds up.

Fantasy & Dark Academia

For readers who like atmospheric settings, academic rivalries, and a little bit of magic.

• A Study in Drowning by Ava Reid: This is one of my favorite reads of the year. It’s about a literature student who wins a contest to design a cover for her favorite author’s final book. It has gothic vibes and a haunting seaside setting.
• Emily Wilde’s Encyclopedia of Faeries by Heather Fawcett: A cozy read about a grumpy academic studying faeries in a fictional remote village. It’s part fantasy, part field journal, and surprisingly funny.
• Babel by R.F. Kuang: A dense but fascinating story about language, power, and colonialism set in an alternate Oxford. It’s a slow burn, but if you like dark academia and big ideas, it’s worth it. (Next up for me is Katabasis, R.F. Kuang’s newest book).

Other Fiction

These are character-driven stories that made me think, and in some cases, cry a little.

• The Office of Historical Corrections by Danielle Evans: A short story collection about race, identity, and how we talk about history. Every story feels sharp and deeply relevant, and the title novella is especially memorable.
• If We Were Villains by M.L. Rio: Think Dead Poets Society meets Macbeth. It follows a tight-knit group of acting students whose lives spiral after one of them ends up dead. It’s dramatic in the best way.
• Notes on an Execution by Danya Kukafka: This book alternates between the final hours of a man on death row and the perspectives of the women affected by his crimes. It’s beautifully written and much more about empathy and understanding than violence.
• Normal People by Sally Rooney: A quiet, emotional story about two people who can’t seem to get their timing right. Rooney captures the awkwardness and intensity of young relationships perfectly.

Nonfiction

These books prove that real life can be just as fascinating (and unsettling) as fiction.

• From Here to Eternity by Caitlin Doughty: A mortician travels the world exploring how different cultures deal with death. It’s oddly comforting and a reminder that death doesn’t have to be taboo.
• Being Mortal by Atul Gawande: A thoughtful look at aging, medicine, and end-of-life care. It’s one of those books that changes how you think about what it means to live well.
• American Predator by Maureen Callahan: A chilling deep dive into the case of Israel Keyes, one of the most meticulous serial killers in U.S. history. It reads like a detective story but is entirely true.
• I’ll Be Gone in the Dark by Michelle McNamara: True crime at its best. McNamara’s investigation into the Golden State Killer is both gripping and deeply human, especially knowing that her work continued to bring attention to these crimes even after her death.

Whether you’re looking to be spooked, inspired, or just distracted from homework for a while, these books all made an impression on me and I think they’ll do the same for you.

The Fate of Ophelia
Certified banger. Keeps her literary references (Ophelia, but make it a bop), flips them into something upbeat and happy. Feels like the thesis of the whole album: she used to be sad, reflective, drowning in metaphorical rivers, but she’s been saved from her tragic fate. Now we get a pop album to celebrate. Honestly? Shakespeare could never.

Elizabeth Taylor
Solid follow-up. Continues the themes from the opener, production is fun, and the drums are BACK. 

Opalite
So much fun! About creating man-made happiness, just like opalite is man-made (and shoutout to our favorite Kansas Citian, Travis Kelce, whose birthstone this is). 

Father Figure
Taylor sings about buying her masters back like a boss. She doesn’t just own her work — she is the music industry. Scooter Braun is crying somewhere.

Eldest Daughter
Switches up the vibe (maybe necessary after the strut of the last track). Looks at why Swift became who she is. Some say the lyrics are shallow and expected more depth. Personally, my issue isn’t the words — it’s the production which feels kind of boring.

Ruin The Friendship
Meh. Not terrible, not memorable. A filler track you skip after the second listen.

Actually Romantic
Iconic. Should honestly be sung by Reneé Rapp.  People think it’s a diss track aimed at Charli XCX (a response to “Sympathy is a Knife”), which… fair. But Taylor has a long line of haters, from pop girls to the literal President Donald Trump. So this could be about anyone! Either way, it’s deliciously petty.

Wi$h Li$t
I support her dreams, but in this political climate, do I want to listen to Taylor sing about wanting to be a tradwife? Not really. Still, she’s allowed to put “wife and mom” on her vision board. (We all had embarrassing Pinterest boards in 2014, let’s not judge too hard.)

Wood
My favorite track on the album. It’s stuffed with double entendres, and while some people have called lines like “new heights of manhood” cringe, I think it’s hilarious. Let her be goofy! Let her flirt! If we survived “Me!” we can survive her being horny.

CANCELLED!
This one stirred the pot. Critics called it tone-deaf and privileged. And yeah, she is a billionaire. But here’s the thing: she owns it. The song balances her acknowledging unfair criticism while also flexing that her life is actually great. She’s not pretending to be a struggling underdog anymore, she’s saying, “Yup, I’m rich, famous, and thriving, and you still hate me.” 

Honey
Sweet but not a standout. The lyrics are solid though, about how pet names used to feel condescending, but now that she’s in love, they’re actually… well, honeyed. Cute, but not the one I’ll be replaying.

The Life of a Showgirl (Ft. Sabrina Carpenter)
My least favorite. It may be the title track, but it doesn’t capture the themes or energy of the album at all. Sabrina kills the bridge, but the rest? It feels like they cut a Midnights B-side and just slapped it here for marketing.

Key Takeaways

• Taylor Swift is a millennial, which means some lyrics are destined to be “cringe.” (Sorry, Gen Z, she’s not writing exclusively for TikTok captions.)
• She is in love. Like, nauseatingly, hopelessly, Disney-princess-in-the-last-ten-minutes-of-the-movie in love.
• She knows she’s on top, and at this point nothing can stop her (Father Figure, CANCELLED!, Actually Romantic).
• Despite the album’s title, this isn’t really about the gritty behind-the-scenes life of a showgirl. It’s about Taylor winning. In love, in fame, in life. It’s her victory lap, moving from sad-girl reflections to upbeat, sparkly triumph.