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	<title>culture &#8211; The Hilltop Monitor</title>
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	<title>culture &#8211; The Hilltop Monitor</title>
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	<item>
		<title>2026 Bieberella</title>
		<link>https://hilltopmonitor.jewell.edu/2026-bieberella/</link>
					<comments>https://hilltopmonitor.jewell.edu/2026-bieberella/#respond</comments>
		
		<dc:creator><![CDATA[Simone Collins]]></dc:creator>
		<pubDate>Mon, 27 Apr 2026 17:00:00 +0000</pubDate>
				<category><![CDATA[Arts & Culture]]></category>
		<category><![CDATA[Culture]]></category>
		<category><![CDATA[Events]]></category>
		<category><![CDATA[Issue 14]]></category>
		<category><![CDATA[Volume 40]]></category>
		<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[coachella]]></category>
		<category><![CDATA[culture]]></category>
		<category><![CDATA[justin bieber]]></category>
		<category><![CDATA[sabrina carpenter]]></category>
		<category><![CDATA[simone collins]]></category>
		<guid isPermaLink="false">https://hilltopmonitor.jewell.edu/?p=20863</guid>

					<description><![CDATA[Editor&#8217;s note: This article was originally published in an Apr. 24 print edition of the Monitor. After a four-year hiatus, the “Baby” singer is back,&#8230; ]]></description>
										<content:encoded><![CDATA[
<figure class="wp-block-image size-medium"><img fetchpriority="high" decoding="async" width="348" height="500" src="https://hilltopmonitor.jewell.edu/wp-content/uploads/2026/04/Sabrina_Carpenter_-_O2_Arena_2025_-_086_cropped_2-348x500.jpg" alt="" class="wp-image-20864" srcset="https://hilltopmonitor.jewell.edu/wp-content/uploads/2026/04/Sabrina_Carpenter_-_O2_Arena_2025_-_086_cropped_2-348x500.jpg 348w, https://hilltopmonitor.jewell.edu/wp-content/uploads/2026/04/Sabrina_Carpenter_-_O2_Arena_2025_-_086_cropped_2.jpg 683w" sizes="(max-width: 348px) 100vw, 348px" /><figcaption class="wp-element-caption">Sabrina Carpenter, Coachella headliner, in London. (<a href="https://www.flickr.com/photos/69880995@N04/54379277725/">Raph_PH/Flickr</a> under CC BY 2.0)</figcaption></figure>



<p><em>Editor&#8217;s note: This article was originally published in an Apr. 24 print edition of the </em>Monitor.</p>



<p>After a four-year hiatus, the “Baby” singer is back, better than ever…with YouTube Premium. At Coachella’s grand stage, Justin Bieber became one of the highest-paid artists ever to perform at the festival, earning $10 million between two weekends. Rocking baggy jorts and a T-shirt, Justin revisited old songs and memories while sitting on a stool, laptop open, searching his old music videos and memes on YouTube, where he started it all. While some complained that the performance was “lazy,” others believed it was a night of time travel full of reminiscing about adolescent years.</p>



<p><a href="https://www.usatoday.com/story/entertainment/music/2026/04/12/justin-bieber-coachella-setlist/89578816007/">Songs from his <em>SWAG</em> album, like “All I Can Take” and “Go Baby,” kicked off the night. </a>The middle was dedicated to that thirteen-year-old bedroom, where you danced in front of the mirror with a hairbrush in hand, featuring some Bieber favorites: “Favorite Girl,” “Never Say Never,” “That Should Be Me” and the golden, but never forgotten, melody of “Baby.” <a href="https://www.pressenterprise.com/2026/04/18/coachella-2026-justin-bieber-returns-for-day-2-of-weekend-2/">Bieber further surprised the audience by bringing The Kid LAROI onstage—marking his first Coachella appearance—as the two performed their hit collaboration “Stay.”</a> Alongside performing covers of songs by Chris Brown and Ne-Yo, the 32-year-old singer also invited guest artists such as Dijon, Wizkid, Tems and Mk.gee to join. Whether critics hated or loved it, Bieber returns to headline the final weekend of Coachella after he made <a href="https://www.thestreet.com/retail/justin-bieber-turns-coachella-2026-into-a-5m-merch-empire-skylrk">$5.04 million in merchandise sales the weekend prior.</a> All in all, it can be confirmed that the teenage heartthrob is back and better than ever.</p>



<p>While Bieber stamped his night with old YouTube clips, other performers made history in other ways. <a href="https://www.pressenterprise.com/2026/04/18/coachella-2026-justin-bieber-returns-for-day-2-of-weekend-2/">Kacey Musgraves returned with a brand-new hit, “Middle of Nowhere.” </a>Friday night’s headliner, Sabrina Carpenter, was joined by Will Ferrell, Samuel L. Jackson and Susan Sarandon; cameos that made Variety scratch their head, but fans deemed it as “iconic.” The all-Filipina-girl group, Bini, became the first Filipino act at Coachella, bringing down the house in shiny boots, ruffled skirts, energetic vibes and fierce attitudes. While the average ticket was priced at $649, and resale costs skyrocketed to $5,000, the sold-out 2026 Coachella performance delivered three unforgettable weekends for fans and the celebrities that attended, posing the question of what will be in store for 2027.</p>



<p><strong>Simone&#8217;s Playlist Suggestions (Coachella-inspired)</strong>:</p>



<ol class="wp-block-list">
<li>All I Can Take – Justin Bieber</li>



<li>Stay – Justin Bieber, the Kid LAROI</li>



<li>Things You Do – Justin Bieber</li>



<li>Baby – Justin Bieber</li>



<li>Beauty and a Beat – Justin Bieber</li>



<li>Confident – Justin Bieber</li>



<li>Yukon – Justin Bieber</li>



<li>Espresso &#8211; Sabrina Carpenter</li>



<li>Si Antes Te Hubiera Conocido – KAROL G</li>



<li>Break It Off – PinkPantheress</li>



<li>Middle of Nowhere – Casey Musgraves</li>



<li>Talk Down – Dijon</li>



<li>No Type – Swae Lee</li>



<li>Bad Dreams – Teddy Swims</li>



<li>RATHER BE – GIVĒON</li>



<li>Bad Bad Bad – Young Thug, Lil Baby</li>



<li>Lover Girl &#8211; Laufey</li>



<li>Sailor Song – Gigi Perez</li>



<li>Gabriela- KATSEYE</li>



<li>Sprinter – Central Cee, Dave</li>
</ol>



<p></p>
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			</item>
		<item>
		<title>Britain Didn&#8217;t Just Colonize Land — It Colonized Art</title>
		<link>https://hilltopmonitor.jewell.edu/britain-didnt-just-colonize-land-it-colonized-art/</link>
					<comments>https://hilltopmonitor.jewell.edu/britain-didnt-just-colonize-land-it-colonized-art/#respond</comments>
		
		<dc:creator><![CDATA[Alee Dickey]]></dc:creator>
		<pubDate>Fri, 02 May 2025 05:00:00 +0000</pubDate>
				<category><![CDATA[39(5)]]></category>
		<category><![CDATA[Arts]]></category>
		<category><![CDATA[Arts & Culture]]></category>
		<category><![CDATA[Culture]]></category>
		<category><![CDATA[Opinions]]></category>
		<category><![CDATA[Volume 39]]></category>
		<category><![CDATA[alee]]></category>
		<category><![CDATA[alee dickey]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[arts]]></category>
		<category><![CDATA[arts & culture]]></category>
		<category><![CDATA[british]]></category>
		<category><![CDATA[colonization]]></category>
		<category><![CDATA[colonize]]></category>
		<category><![CDATA[culture]]></category>
		<category><![CDATA[dickey]]></category>
		<category><![CDATA[museum]]></category>
		<category><![CDATA[opinion]]></category>
		<guid isPermaLink="false">https://hilltopmonitor.jewell.edu/?p=20342</guid>

					<description><![CDATA[Photo by Kristina Gadeikyte via Uplash. When we talk about colonization, we usually focus on land, armies and political control. But Great Britain&#8217;s empire-building wasn’t&#8230; ]]></description>
										<content:encoded><![CDATA[
<figure class="wp-block-image"><img decoding="async" width="2400" height="1602" src="https://hilltopmonitor.jewell.edu/wp-content/uploads/2025/05/kristina-gadeikyte-Mdx7XqEJ4ig-unsplash.jpg" alt="" class="wp-image-20343" srcset="https://hilltopmonitor.jewell.edu/wp-content/uploads/2025/05/kristina-gadeikyte-Mdx7XqEJ4ig-unsplash.jpg 2400w, https://hilltopmonitor.jewell.edu/wp-content/uploads/2025/05/kristina-gadeikyte-Mdx7XqEJ4ig-unsplash-749x500.jpg 749w, https://hilltopmonitor.jewell.edu/wp-content/uploads/2025/05/kristina-gadeikyte-Mdx7XqEJ4ig-unsplash-1024x684.jpg 1024w, https://hilltopmonitor.jewell.edu/wp-content/uploads/2025/05/kristina-gadeikyte-Mdx7XqEJ4ig-unsplash-768x513.jpg 768w, https://hilltopmonitor.jewell.edu/wp-content/uploads/2025/05/kristina-gadeikyte-Mdx7XqEJ4ig-unsplash-1536x1025.jpg 1536w, https://hilltopmonitor.jewell.edu/wp-content/uploads/2025/05/kristina-gadeikyte-Mdx7XqEJ4ig-unsplash-2048x1367.jpg 2048w" sizes="(max-width: 2400px) 100vw, 2400px" /></figure>



<p><em>Photo by Kristina Gadeikyte </em><a href="https://unsplash.com/photos/statue-of-man-holding-flag-of-us-a-near-us-a-flag-during-daytime-Mdx7XqEJ4ig"><em>via Uplash</em></a><em>.</em></p>



<p>When we talk about colonization, we usually focus on land, armies and political control. But Great Britain&#8217;s empire-building wasn’t limited to geography. It also involved the mass appropriation of art and cultural heritage. Much of that legacy is still sitting in British museums today, far from the communities that created it.</p>



<p>Throughout the 18th and 19th centuries, as Britain expanded across Africa, Asia, and the Middle East, it also collected, or more accurately, took an enormous amount of art. Religious relics, royal treasures, sculptures, and manuscripts were removed from colonized nations, often through violence, coercion or exploitation. These objects were shipped back to London and celebrated as symbols of Britain’s supposed cultural superiority.</p>



<p>The <a href="https://www.britishmuseum.org/">British Museum</a> stands as the clearest example of this legacy. Established in 1753, it houses millions of artifacts from around the world, many of which arrived during the peak of imperial expansion. One of the most famous (and controversial) cases is the <a href="https://www.bbc.com/news/uk-67606176">Elgin Marbles</a>, taken from the Parthenon in Greece by Lord Elgin in the early 1800s. Despite decades of requests from Greece, the marbles remain in London. The story is similar for the <a href="https://www.britannica.com/topic/Rosetta-Stone">Rosetta Stone</a>, which Britain seized from Egypt after defeating Napoleon’s forces in 1799.</p>



<p>Britain’s colonization of art wasn’t just about taking objects. It was about reshaping narratives of culture and civilization. Non-Western art was often exhibited as anthropology rather than high art. African sculptures, Indigenous American artifacts and Asian ceramics were categorized as curiosities, reinforcing racist ideas about Western superiority and “primitive” others. This practice didn’t just misrepresent the art itself; it actively undermined the cultures that produced it.</p>



<p>While some institutions, like the <a href="https://www.bbc.com/news/uk-england-london-62456366.amp">Horniman Museum in London,</a> have begun making small steps toward restitution, many, including the British Museum, have remained resistant, often citing legal barriers or claiming that the artifacts are part of global heritage. But critics argue that real global heritage cannot be built on theft and denial.</p>



<p>Art is not just decorative. It is deeply tied to history, memory, and identity. Keeping these works in British institutions without consent perpetuates the very inequalities created by the Empire. Britain’s colonization of art didn’t end when the Empire did; it is still happening in how museums display, narrate and justify possession today.</p>
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		<title>Kendrick Lamar: Shaping the Future of Music</title>
		<link>https://hilltopmonitor.jewell.edu/kendrick-lamar-shaping-the-future-of-music/</link>
					<comments>https://hilltopmonitor.jewell.edu/kendrick-lamar-shaping-the-future-of-music/#respond</comments>
		
		<dc:creator><![CDATA[Alee Dickey]]></dc:creator>
		<pubDate>Wed, 05 Mar 2025 18:00:00 +0000</pubDate>
				<category><![CDATA[39(4)]]></category>
		<category><![CDATA[Arts & Culture]]></category>
		<category><![CDATA[Volume 39]]></category>
		<category><![CDATA[activism]]></category>
		<category><![CDATA[alee]]></category>
		<category><![CDATA[alee dickey]]></category>
		<category><![CDATA[arts]]></category>
		<category><![CDATA[arts & culture]]></category>
		<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[culture]]></category>
		<category><![CDATA[dickey]]></category>
		<category><![CDATA[half]]></category>
		<category><![CDATA[half-time performance]]></category>
		<category><![CDATA[half-time show]]></category>
		<category><![CDATA[kendrick]]></category>
		<category><![CDATA[Kendrick Lamar]]></category>
		<category><![CDATA[lamar]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[performance]]></category>
		<category><![CDATA[politics]]></category>
		<category><![CDATA[racism]]></category>
		<category><![CDATA[rap]]></category>
		<category><![CDATA[show]]></category>
		<category><![CDATA[super bowl]]></category>
		<category><![CDATA[super bowl 2025]]></category>
		<category><![CDATA[time]]></category>
		<guid isPermaLink="false">https://hilltopmonitor.jewell.edu/?p=20308</guid>

					<description><![CDATA[Photo by Nihal Demirci Erenay via Uplash. In 2025, Kendrick Lamar solidified his place as one of the most influential artists of the 21st century.&#8230; ]]></description>
										<content:encoded><![CDATA[
<figure class="wp-block-image"><img decoding="async" width="2400" height="1600" src="https://hilltopmonitor.jewell.edu/wp-content/uploads/2025/03/nihal-demirci-erenay-g_azYqqc-G8-unsplash.jpg" alt="" class="wp-image-20309" srcset="https://hilltopmonitor.jewell.edu/wp-content/uploads/2025/03/nihal-demirci-erenay-g_azYqqc-G8-unsplash.jpg 2400w, https://hilltopmonitor.jewell.edu/wp-content/uploads/2025/03/nihal-demirci-erenay-g_azYqqc-G8-unsplash-750x500.jpg 750w, https://hilltopmonitor.jewell.edu/wp-content/uploads/2025/03/nihal-demirci-erenay-g_azYqqc-G8-unsplash-1024x683.jpg 1024w, https://hilltopmonitor.jewell.edu/wp-content/uploads/2025/03/nihal-demirci-erenay-g_azYqqc-G8-unsplash-768x512.jpg 768w, https://hilltopmonitor.jewell.edu/wp-content/uploads/2025/03/nihal-demirci-erenay-g_azYqqc-G8-unsplash-1536x1024.jpg 1536w, https://hilltopmonitor.jewell.edu/wp-content/uploads/2025/03/nihal-demirci-erenay-g_azYqqc-G8-unsplash-2048x1365.jpg 2048w" sizes="(max-width: 2400px) 100vw, 2400px" /></figure>



<p><em>Photo by Nihal Demirci Erenay </em><a href="https://unsplash.com/photos/photo-of-vinyl-records-g_azYqqc-G8"><em>via Uplash</em></a><em>.</em></p>



<p>In 2025, Kendrick Lamar solidified his place as one of the most influential artists of the 21st century. With his unique blend of lyricism and cultural commentary, Kendrick Lamar has become a force to be reckoned with. This year, Lamar’s continued success at the Grammys, his role in the ongoing discussion about Black culture and social justice, and his culturally significant Super Bowl halftime performance have all further cemented his legacy.</p>



<p><strong>Kendrick Lamar Dominates the Grammys&nbsp;</strong></p>



<p>2025 marked yet another historic year for Kendrick Lamar at the Grammys. This year, he not only added more trophies to his already impressive collection but also triumphed in some of the most prestigious and highly competitive categories.</p>



<p>Lamar’s critically acclaimed track &#8220;Not Like Us&#8221; emerged as a standout of the year, earning him an impressive five awards. The <a href="https://www.grammy.com/news/kendrick-lamar-not-like-us-wins-song-of-the-year-2025-grammys">song took home</a> Rap Song of the Year, Song of the Year, Record of the Year, Best Rap Performance, and Best Music Video, solidifying its cultural and artistic impact.</p>



<p>These Grammy wins in 2025 weren’t just personal victories for Lamar; they symbolized the increasing mainstream recognition of rap. <a href="https://www.grammy.com/news/kendrick-lamar-not-like-us-wins-song-of-the-year-2025-grammys">As Kendrick said himself,</a> “This is what it’s about man, because at the end of the day, nothing is more powerful than rap music. We are the culture, it’s gonna always stay here and live forever.&#8221;</p>



<p><strong>&nbsp;Black Artists and the Grammys – Is 2025 a Turning Point?</strong></p>



<p>Kendrick Lamar’s triumph at the Grammys in 2025 also raises important questions about the relationship between Black artists and the Recording Academy. Historically, Black musicians, particularly in genres like rap and R&amp;B, have faced systemic barriers to receiving proper recognition for their work. The <a href="https://www.msnbc.com/opinion/msnbc-opinion/beyonce-grammys-album-of-the-year-win-rcna190425">controversy surrounding Beyoncé’s repeated losses </a>in major categories, such as her 2023 “Renaissance” loss for Album of the Year, has fueled debates about the Grammys’ treatment of Black artists.</p>



<p>But 2025 seems to <a href="https://www.the-independent.com/arts-entertainment/music/features/beyonce-kendrick-grammys-grammys-2025-snubs-b2691005.html">mark a shift</a> in how Black artists are being recognized. With Lamar’s sweeping wins in major categories, especially in categories like Song and Record of the Year, traditionally dominated by pop and rock artists, there is a growing sense that the Grammys may be moving in a new direction.</p>



<p>This year<a href="https://apnews.com/article/grammy-awards-2025-a0e1a23256cd903a913c811ff75f10f8"> Beyoncé’s “Cowboy Cater” also won Album of the Year</a>, a win that was widely celebrated. Critics and fans alike are hopeful that 2025 represents a turning point, one where Black artists are no longer sidelined but celebrated for their contributions to music and culture at the highest level. While questions remain about whether this shift will be permanent, the success of artists like Lamar and Beyoncé in 2025 is a promising sign. It may mark the beginning of a more equitable future for Black musicians in the music industry’s most prestigious award show.</p>



<p><strong>Kendrick Lamar’s Symbolic Super Bowl Halftime Show</strong></p>



<p>Kendrick Lamar’s performance at the 2025 Super Bowl halftime show was impactful. In a year where social justice continued to dominate conversations, Lamar used his platform to make a powerful statement about race, identity and resilience.&nbsp;</p>



<p>Throughout the halftime show, Kendrick relied <a href="https://www.9news.com/article/news/community/race-and-culture/kendrick-lamar-super-bowl-performance-symbolism/73-61e6bd70-35ea-4b78-8734-3d7f5d076740#:~:text=Right%20before%20performing%20his%20award,to%20Black%20individuals%2C%20Maner%20said.">heavily on imagery and symbolism</a> to make his point. The giant PlayStation controller that dominated the stage may have represented the idea of life as a game, with the American Dream being something that is &#8220;played&#8221; and often controlled by larger systems. At one point,&nbsp; the dancers were arranged in formations of red, white, and blue, which at first seemed like just a standard patriotic gesture. However, the dancers often shifted in ways that fractured the imagery of the American flag, symbolizing a nation deeply divided by race, class and political tensions. <strong><br></strong>In addition, the decision to have Serena Williams perform the Crip Walk was laden with meaning. As Dr. Sequoia Maner, a professor at Spelman College in literature, <a href="https://www.9news.com/article/news/community/race-and-culture/kendrick-lamar-super-bowl-performance-symbolism/73-61e6bd70-35ea-4b78-8734-3d7f5d076740#:~:text=Right%20before%20performing%20his%20award,to%20Black%20individuals%2C%20Maner%20said.">explained</a>.&nbsp;</p>



<p>“A lot of people said, &#8216;Oh, you know, that&#8217;s a jab at Drake,&#8217; right? Serena is Drake&#8217;s ex. But we forget in 2012, Serena was lambasted for doing the crip walk on the world stage at the London Olympics. And that was a moment in which we really saw this vitriol aimed at one of the most excellent top performers, saying that she was too loud and that she was too ghetto for a kind of respectable sport like tennis, right?”&nbsp;</p>



<p>For a deeper dive into the symbolism in the half time show&nbsp; you can read more in Halima Jibril’s article titled,&nbsp; <a href="https://www.dazeddigital.com/music/article/66062/1/symbolism-behind-kendrick-lamar-super-bowl-performance-donald-trump-drake">“America Has a Problem: Unpacking Kendrick Lamar’s Super Bowl symbolism</a>.”</p>



<p>As 2025 continues, Kendrick Lamar’s influence on music, culture and social justice shows no signs of slowing down. His Grammy wins represent a new era for Black artists in the Recording Academy, while his Super Bowl halftime performance stands as one of the most significant cultural moments of the year. Lamar’s ability to use his platform to address difficult social issues while pushing the boundaries of his craft makes him one of the most important artists of our time.&nbsp;</p>
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		<title>Opinion: Why Art in Schools Shouldn&#8217;t Be the First to Go</title>
		<link>https://hilltopmonitor.jewell.edu/opinion-why-art-in-schools-shouldnt-be-the-first-to-go/</link>
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		<dc:creator><![CDATA[Alee Dickey]]></dc:creator>
		<pubDate>Wed, 05 Mar 2025 18:00:00 +0000</pubDate>
				<category><![CDATA[39(4)]]></category>
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		<guid isPermaLink="false">https://hilltopmonitor.jewell.edu/?p=20312</guid>

					<description><![CDATA[Photo by Kyle Head via Uplash. In the landscape of education, all schools have been facing tough decisions when budget cuts arise and, all too&#8230; ]]></description>
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<figure class="wp-block-image"><img loading="lazy" decoding="async" width="2400" height="1600" src="https://hilltopmonitor.jewell.edu/wp-content/uploads/2025/03/kyle-head-p6rNTdAPbuk-unsplash.jpg" alt="" class="wp-image-20313" srcset="https://hilltopmonitor.jewell.edu/wp-content/uploads/2025/03/kyle-head-p6rNTdAPbuk-unsplash.jpg 2400w, https://hilltopmonitor.jewell.edu/wp-content/uploads/2025/03/kyle-head-p6rNTdAPbuk-unsplash-750x500.jpg 750w, https://hilltopmonitor.jewell.edu/wp-content/uploads/2025/03/kyle-head-p6rNTdAPbuk-unsplash-1024x683.jpg 1024w, https://hilltopmonitor.jewell.edu/wp-content/uploads/2025/03/kyle-head-p6rNTdAPbuk-unsplash-768x512.jpg 768w, https://hilltopmonitor.jewell.edu/wp-content/uploads/2025/03/kyle-head-p6rNTdAPbuk-unsplash-1536x1024.jpg 1536w, https://hilltopmonitor.jewell.edu/wp-content/uploads/2025/03/kyle-head-p6rNTdAPbuk-unsplash-2048x1365.jpg 2048w" sizes="auto, (max-width: 2400px) 100vw, 2400px" /></figure>



<p><em>Photo by Kyle Head </em><a href="https://unsplash.com/photos/silhouette-of-three-performers-on-stage-p6rNTdAPbuk"><em>via Uplash</em></a><em>.</em></p>



<p>In the landscape of education, all schools have been facing tough decisions when budget cuts arise and, all too often, the Arts are the first programs to be trimmed or eliminated. However, art plays an essential role in the development of students and its removal has long-lasting negative effects. Art is not merely an extracurricular activity but a fundamental aspect of a well-rounded education that fosters creativity, emotional intelligence and critical thinking.</p>



<figure class="wp-block-image"><img decoding="async" src="https://lh7-rt.googleusercontent.com/docsz/AD_4nXcLWwC5TrHSIjsqRFzKUOrrkbELlqWJnLYTFIa8BCipbKeOnN25sqe5oX-EefAz2yQXx7gY0B4O_SseA_Y9Mu9HSsQialVwmi-06UerJljjrdGQD1x3icICXwYmcj-SjGdcoqWHZA?key=CPTIr4kyigFmMdeiF8QA7Wbj" alt=""/></figure>



<p><a href="https://sarahgracegriswold.wordpress.com/resume/arts-in-education/"></a></p>



<p><em>Graph illustrating the benefits of arts integration in education, sourced from Sarah Grace Griswold&#8217;s </em><a href="https://sarahgracegriswold.wordpress.com/resume/arts-in-education/"><em>research on arts in the classroom</em></a><em>.</em></p>



<p><strong>Creativity and Innovation</strong></p>



<p>The arts provide students with a unique opportunity to explore new ways of thinking. Whether through painting, music, drama, or dance, art encourages students to express themselves beyond the limitations of traditional subjects like math or science. This creative exploration can lead to innovations and breakthroughs in other fields.&nbsp;&nbsp;</p>



<p>By fostering creativity, <a href="https://www.arts.gov/stories/magazine/2018/3/pushing-boundaries-look-visionary-approaches-arts/igniting-imagination">art also prepares students for the future workforce</a>. In a rapidly changing world driven by technology, employers seek individuals who can think critically and solve problems creatively. Art classes provide students with these essential skills, enabling them to navigate complex challenges both in their careers and in life.</p>



<p><strong>Emotional and Social Development</strong></p>



<p>Art education is <a href="https://www.moma.org/magazine/articles/1019">integral to students&#8217; emotional and social development.</a> It allows them to express feelings that they may not yet have the vocabulary to articulate, providing an outlet for emotions that can be difficult to process otherwise. This emotional expression is especially crucial during adolescence when students are dealing with significant challenges in their lives.</p>



<p>Furthermore, the collaborative nature of many art forms teaches students valuable social skills. Whether working on a group project in theater or performing in a choir, students learn the importance of teamwork, communication, and mutual respect. These experiences <a href="https://blog.planbook.com/improve-social-emotional-skills/#:~:text=The%20performing%20arts%20%E2%80%94%20general%20music,easier%20within%20a%20creative%20setting.">can foster empathy and a sense of community</a><strong>.&nbsp;</strong></p>



<p><strong>Enhancing Academic Performance</strong></p>



<p>Contrary to the misconception that the arts are unrelated to academic success, numerous studies have shown that participation in art programs <a href="https://arteducationmasters.arts.ufl.edu/articles/importance-of-art-education/#:~:text=How%20Does%20Art%20Education%20Help,with%20overall%20improvements%20in%20GPA">enhances students&#8217; performance</a> in other subjects. For example, learning music has been linked to <a href="https://www.sciencedaily.com/releases/2020/11/201130150413.htm">improved math and reading skills</a> due to the discipline and attention to detail required. Similarly, visual arts can improve spatial reasoning, while drama and theater <a href="https://www.zebraspeech.com/default.aspx?matrix=93">promote language development </a>and public speaking abilities.</p>



<p>Art encourages critical thinking and problem-solving in ways that complement traditional academic subjects. Students who engage with art are more likely to approach problems from multiple perspectives, a skill that benefits them in subjects ranging from literature to science.</p>



<p><strong>Preserving Cultural Identity and Inclusivity</strong></p>



<p><a href="https://www.scirp.org/journal/paperinformation?paperid=130687#:~:text=Art%20is%20a%20powerful%20medium,dance%2C%20literature%2C%20or%20theater.">Art plays a vital role in preserving and celebrating cultural identity.</a> In a diverse society, art education allows students to explore and understand various cultures, fostering a more inclusive and empathetic worldview. This is particularly important in an increasingly globalized world, where understanding and appreciating cultural differences are essential for peaceful coexistence.</p>



<p>By cutting art programs, schools risk losing this rich opportunity to promote cultural awareness and inclusivity. Art can serve as a bridge between students of different backgrounds, helping them connect through shared experiences of creativity and self-expression.</p>



<p><strong>Conclusion: Protecting the Arts in Education</strong></p>



<p>While financial constraints may tempt schools to cut art programs, the benefits of arts education far outweigh the costs. The arts foster creativity, emotional intelligence, social skills and academic success, all while promoting cultural understanding. Removing art from the curriculum not only deprives students of these crucial opportunities but also limits their potential to become well-rounded, innovative and empathetic individuals. Art is not a luxury; it is an essential element of a complete education and it must be protected.</p>
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