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	<title>play &#8211; The Hilltop Monitor</title>
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	<title>play &#8211; The Hilltop Monitor</title>
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	<item>
		<title>An Interview with &#8220;Terra Nova&#8221; Director Cal Perkins</title>
		<link>https://hilltopmonitor.jewell.edu/an-interview-with-terra-nova-director-cal-perkins/</link>
					<comments>https://hilltopmonitor.jewell.edu/an-interview-with-terra-nova-director-cal-perkins/#respond</comments>
		
		<dc:creator><![CDATA[Brian J. Bartels]]></dc:creator>
		<pubDate>Wed, 05 Mar 2025 18:00:00 +0000</pubDate>
				<category><![CDATA[39(4)]]></category>
		<category><![CDATA[Artist Spotlights]]></category>
		<category><![CDATA[Arts]]></category>
		<category><![CDATA[Features]]></category>
		<category><![CDATA[Jewell Spotlights]]></category>
		<category><![CDATA[Senior Spotlights]]></category>
		<category><![CDATA[Volume 39]]></category>
		<category><![CDATA[1911]]></category>
		<category><![CDATA[arctic]]></category>
		<category><![CDATA[arts]]></category>
		<category><![CDATA[Bartels]]></category>
		<category><![CDATA[Brian]]></category>
		<category><![CDATA[brian j. bartels]]></category>
		<category><![CDATA[british]]></category>
		<category><![CDATA[cal]]></category>
		<category><![CDATA[cal perkins]]></category>
		<category><![CDATA[features]]></category>
		<category><![CDATA[man vs. nature]]></category>
		<category><![CDATA[man vs. wild]]></category>
		<category><![CDATA[nationalism]]></category>
		<category><![CDATA[nova]]></category>
		<category><![CDATA[perkins]]></category>
		<category><![CDATA[play]]></category>
		<category><![CDATA[snow]]></category>
		<category><![CDATA[south pole]]></category>
		<category><![CDATA[tally]]></category>
		<category><![CDATA[ted]]></category>
		<category><![CDATA[ted tally]]></category>
		<category><![CDATA[terra]]></category>
		<category><![CDATA[terra nova]]></category>
		<category><![CDATA[theatre]]></category>
		<category><![CDATA[winter]]></category>
		<guid isPermaLink="false">https://hilltopmonitor.jewell.edu/?p=20296</guid>

					<description><![CDATA[Production photo from “Terra Nova” at William Jewell College, photo courtesy of Jewell Theatre Co. Cal Perkins is a senior theatre major at WIlliam Jewell&#8230; ]]></description>
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<figure class="wp-block-image"><img fetchpriority="high" decoding="async" width="1440" height="953" src="https://hilltopmonitor.jewell.edu/wp-content/uploads/2025/03/quis.jpg" alt="" class="wp-image-20299" srcset="https://hilltopmonitor.jewell.edu/wp-content/uploads/2025/03/quis.jpg 1440w, https://hilltopmonitor.jewell.edu/wp-content/uploads/2025/03/quis-756x500.jpg 756w, https://hilltopmonitor.jewell.edu/wp-content/uploads/2025/03/quis-1024x678.jpg 1024w, https://hilltopmonitor.jewell.edu/wp-content/uploads/2025/03/quis-768x508.jpg 768w" sizes="(max-width: 1440px) 100vw, 1440px" /></figure>



<p><em>Production photo from “Terra Nova” at William Jewell College, </em><a href="https://www.facebook.com/photo/?fbid=1367887990839009&amp;set=pcb.1367888020839006"><em>photo courtesy of Jewell Theatre Co.</em></a></p>



<p>Cal Perkins is a senior theatre major at WIlliam Jewell College, having made his directorial debut with his 2025 production of “Terra Nova.” Written and published by Ted Tally in 1980, the play follows Robert Falcon Scott’s fatal expedition to the South Pole in 1911. In an interview with The Hilltop Monitor, Perkins shared his thoughts about the play’s significance and modern relevance.</p>



<p><strong>Firstly, thank you for taking some time to answer some questions about your production. It was a real privilege to experience it first-hand.</strong></p>



<p>Thank you so much for this opportunity! It’s so relieving and affirming to have someone so affected by my production.&nbsp;</p>



<p><strong>What did your responsibilities entail regarding the production of “Terra Nova” at William Jewell College?</strong></p>



<p>Well, when it came to responsibilities, I had my plate full from the start. With the announcement of no (zero) budget for the Theatre Department in August of 2024, I had to make some split-second decisions. How was I going to put on the show I wrote (“Animal Farm”), when it was budgeted for $300 in the planning stages? I decided to do my backup project, “Terra Nova.”</p>



<p>When it came to a method for finding how to pay for the rights, I was relieved whenever [Professor] Wyman approached me and informed me that I had an anonymous sponsor for my capstone. From there, the responsibilities took off. For auditions, it was up to me to set the date and time, along with cutting sides or pages from the script for the auditioning actors to read. After, I did the same for callbacks. Immediately following callbacks, my production team went to the PLC to discuss the actors and which roles would fit who. It took around 2 hours total to get the final cast list, to which we announced immediately.&nbsp;</p>



<p>Rehearsals mostly fell to my team, as they accumulated things for me to remember and things to do. But I made the creative decisions to make the concessions for the show fit the theme, the blocking, full directing and rehearsal schedules. I had to manage the program and design it, look into designing/hiring my friend to finalize the poster and so much more. Pretty much everything that came out of the final look of the show was between me and my crew.&nbsp;</p>



<p><strong>How old were you when you first encountered “Terra Nova” and what impression did it leave on you at the time?</strong></p>



<p>Funnily enough, I saw “Terra Nova” as a One-Act Competition piece in 2019. I was a Junior in high school in Sand Springs, OK at the time &#8211; around 17 years old.&nbsp;</p>



<p>When I first watched the show begin, I was interested in the least amount, to be honest. It was a chopped up amalgamation of scenes to fit in the key points of the show in thirty minutes, so it was a burst of information in such little time. However, Evans’ death scene was what spoke to me more than anything. We thought the actor for Evans was having a seizure on stage. Genuinely. He was so engrossed in his role and from there the rest of the deaths would happen between Oates and the final three of the Polar Party.&nbsp;</p>



<p>I’m very interested in uncanny or depressing historical events, as painful as it is, and this one spoke to me deeply. It only spoke deeper as I read the play itself. Ted Tally is a true writer, which you can see in his poetical stage directions and descriptions. If you enjoyed the show, I cannot stress enough how much I encourage experiencing a full read of the script. It is a masterpiece on a horrific scale.&nbsp;</p>



<p>Nonetheless, after looking up the actual events, it haunted me. It just stuck itself as the number one play of all time in my mind and there it still stays!</p>



<p><br><strong>In your director’s notes, you presented a compelling interpretation of “Terra Nova” as a critique of nationalism. Based on your understanding of the playwright’s intent and the production’s historical context, do you believe this theme was deliberately embedded in the work? Additionally, do you think audiences at the time of its original production resonated with this message, whether intentional or not?</strong></p>



<p>Nationalism, if stated so or not, was certainly a major theme in Ted Tally’s original view. At least, that’s what I believe. What really solidifies this for me is the scene with Amundsen and Scott in Act I. They go into a verbal spat about which way to get to the pole. Amundsen says something along the lines of, “You, a gentleman, and I a <em>barbarian. </em>A <em>killer</em> of dogs.” To which Scott declines, [and] Amundsen replies, “A foreigner, then. It’s the same thing to you.”&nbsp;</p>



<p>This is what instantly set the theme in my mind. That and the constant use of derogatory language toward those of other nationalities. In a scene which I unfortunately had to cut for time purposes, the crew hallucinates an enormous dinner banquet with Amundsen as their server. This scene has a barrage of slurs toward other nations and countries.&nbsp;</p>



<p>I feel that many people don’t see this, at least not clearly. That’s why I decided to make my author’s note more of a caution toward nationalistic perspectives. When I first saw the show, I didn’t get it. But it is the core and the key message of the show, one that is very important in these current times.&nbsp;</p>



<p><strong>How do you see the themes of “Terra Nova” reflected in today’s geopolitical climate? In what ways do you think the play remains relevant to contemporary international relations?</strong></p>



<p>Right off the bat, after the effects of January 20th, there is importance to this message. From what I see President Trump doing, he appears to try and alienate the United States from the rest of the world. Whether it be through media, fearmongering and other uses. Same thing goes for Russia, as Nationalism is an enormous topic over there in a consistent pattern.&nbsp;</p>



<p>Extreme nationalism is bad. That’s a given. Most people understand this. But a majority of Americans may be blinded by patriotism that may leak into nationalism. A nationalistic eye blinds others from the outside world, its influence and other cultures. If Scott studied with the Inuits, such as Amundsen did, perhaps he’d have a better chance. But the British always colonized and never adapted.&nbsp;</p>



<p>Today, it’s a message that many people are not speaking about, but it is a vital element to keeping our history intact and growing. If we close ourselves off and foster this pride for ourselves and ourselves only, we only step further back in time and limit ourselves as a result.&nbsp;</p>



<p><strong>The production featured some incredibly intense and emotionally charged moments, brought to life through powerful performances by the cast. As a director, what was it like navigating these darker elements of the play? Was there ever a struggle with “taking the play home with you” between yourself, the cast, or the crew?&nbsp;</strong></p>



<p>As I mentioned before, darkness is kinda where I thrive. Not to be edgy. I just find such life in the trauma and darkness of some stories. The arc of action and consequence is something I just thrive in, especially regarding theatre or fictional stories.&nbsp;</p>



<p>I had no problem taking home that darkness. However, with my cast, we wanted to keep things lighthearted and we wanted to make sure it stayed in the theater. Emma Kelly led decompressions at the end of rehearsals, where we laid on the ground and meditated for around ten minutes. It was very productive, especially what I’ve heard from my cast.&nbsp;</p>



<p>Aside from that, we kept it pretty fun in rehearsals. While balancing the weight and the true events of the show, we encouraged deep character research and ways to really thrive and merge with that character in a healthy, productive way. By the end, I felt like everyone knew that we would leave the death on the ice and would come back into it only in rehearsals. Everyone did such a great job helping one another. It was just such a relief to have a healthy, communicative production.&nbsp;</p>



<p><strong>Looking ahead, what are your plans for your future in theatre? Do you see yourself directing “Terra Nova” again at some point, or perhaps auditioning for a role in another director’s adaptation?</strong></p>



<p>For my future plans, I’m currently looking into being a Professor of Theatre. But that’s kind of changing at the moment. I really found a huge passion in directing, so I’m potentially considering a future as a creative director of some sort. Not too sure!&nbsp;</p>



<p>As for “Terra Nova,” I’d love nothing more than performing the full-length show someday &#8211; and stepping into that tundra myself. Evans is certainly a dream role of mine, so I’d love to take a chance to play him.&nbsp;</p>



<p>This show will certainly never leave me. This entire experience was so fulfilling, especially after my Duke Colloquium presentation last year. I’m just so elated that I had this opportunity with such a talented cast and crew.&nbsp;</p>



<p><strong>The Hilltop Monitor thanks Cal Perkins for his insights into a complex and important story—one told with passion and care on our campus. We look forward to seeing where his passion and skills take him next!</strong></p>



<figure class="wp-block-image"><img decoding="async" width="1440" height="1800" src="https://hilltopmonitor.jewell.edu/wp-content/uploads/2025/03/poster.jpg" alt="" class="wp-image-20300" srcset="https://hilltopmonitor.jewell.edu/wp-content/uploads/2025/03/poster.jpg 1440w, https://hilltopmonitor.jewell.edu/wp-content/uploads/2025/03/poster-400x500.jpg 400w, https://hilltopmonitor.jewell.edu/wp-content/uploads/2025/03/poster-819x1024.jpg 819w, https://hilltopmonitor.jewell.edu/wp-content/uploads/2025/03/poster-768x960.jpg 768w, https://hilltopmonitor.jewell.edu/wp-content/uploads/2025/03/poster-1229x1536.jpg 1229w" sizes="(max-width: 1440px) 100vw, 1440px" /></figure>



<p><em>“Terra Nova” </em><a href="https://www.facebook.com/photo/?fbid=1358853765075765&amp;set=a.769400910687723"><em>2025 production poster</em></a><em>, illustrated by Cal Perkins.</em></p>
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		<title>Review: The Tragedy of MacBeth</title>
		<link>https://hilltopmonitor.jewell.edu/review-the-tragedy-of-macbeth/</link>
					<comments>https://hilltopmonitor.jewell.edu/review-the-tragedy-of-macbeth/#respond</comments>
		
		<dc:creator><![CDATA[Krista Halstead]]></dc:creator>
		<pubDate>Fri, 11 Mar 2022 16:08:57 +0000</pubDate>
				<category><![CDATA[Arts & Culture]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[krista halstead]]></category>
		<category><![CDATA[macbeth]]></category>
		<category><![CDATA[movie review]]></category>
		<category><![CDATA[movies]]></category>
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		<category><![CDATA[shakespeare]]></category>
		<guid isPermaLink="false">https://hilltopmonitor.jewell.edu/?p=18121</guid>

					<description><![CDATA[Released in late 2021, “The Tragedy of Macbeth” was a hidden gem. The film was produced by A24, the same studio responsible for films such&#8230; ]]></description>
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<figure class="wp-block-image size-large"><img decoding="async" width="1024" height="768" src="https://hilltopmonitor.jewell.edu/wp-content/uploads/2022/03/4622650B-E423-429A-984A-F84EDA6F919F-1024x768.jpeg" alt="" class="wp-image-18122" srcset="https://hilltopmonitor.jewell.edu/wp-content/uploads/2022/03/4622650B-E423-429A-984A-F84EDA6F919F-1024x768.jpeg 1024w, https://hilltopmonitor.jewell.edu/wp-content/uploads/2022/03/4622650B-E423-429A-984A-F84EDA6F919F-667x500.jpeg 667w, https://hilltopmonitor.jewell.edu/wp-content/uploads/2022/03/4622650B-E423-429A-984A-F84EDA6F919F-768x576.jpeg 768w, https://hilltopmonitor.jewell.edu/wp-content/uploads/2022/03/4622650B-E423-429A-984A-F84EDA6F919F-1536x1152.jpeg 1536w, https://hilltopmonitor.jewell.edu/wp-content/uploads/2022/03/4622650B-E423-429A-984A-F84EDA6F919F-2048x1536.jpeg 2048w, https://hilltopmonitor.jewell.edu/wp-content/uploads/2022/03/4622650B-E423-429A-984A-F84EDA6F919F-467x350.jpeg 467w" sizes="(max-width: 1024px) 100vw, 1024px" /><figcaption>Photo by Elaine Howlin on Unsplash.</figcaption></figure>



<p></p>



<p>Released in late 2021, “The Tragedy of Macbeth” was a hidden gem. The film was produced by A24, the same studio responsible for films such as “Midsommar” and “Uncut Gems.” Fans of A24 know that some of their films can be hit or miss – the indie company releasing films that sometimes end up being a little too weird for the mainstream. But “Macbeth” slid under the radar, and is a film I consider to be truly a masterpiece.<br></p>



<p>The film follows the story of William Shakespeare’s play of the same name and features Denzel Washington as Lord Macbeth. The acting in the film was phenomenal, and it had to be. As a film based on a play, much of the story is dependent on the dialogue and subtle actions of the characters. There was a lot of potential for the film to get boring due to the sheerpure amount of dialogue and seemingly lack of action, but the action is in the subtleties of the film. Overall, and the actors do an amazing job of keeping your attention. <br></p>



<p>It was also just a great film to watch because of the visual experience. “Macbeth” was minimalistic, with the whole film shot in black and white. Because of the lack of color, there was a higher emphasis on shadows and light, punctuating the film in a unique way and providing a beautiful cinematographic experience. The general aesthetic of the film was also given great attention. It didn’t feel old or difficult to watch. While it was obviously a Shakespeare play, there was a modern spin on it with the minimalistic attributes of the sets adding a crispness to the film. <br></p>



<p>“The Tragedy of Macbeth” was extremely enjoyable – one of my favorite movies I’ve seen in a while. For those who can’t enjoy a Shakespeare play, it may be hard to get into. But for those curious about it, I definitely recommend giving it a shot.</p>
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		<item>
		<title>“Scotland Road” Leads to Success</title>
		<link>https://hilltopmonitor.jewell.edu/scotland-road-leads-to-success/</link>
					<comments>https://hilltopmonitor.jewell.edu/scotland-road-leads-to-success/#respond</comments>
		
		<dc:creator><![CDATA[Sofia Arthurs-Schoppe]]></dc:creator>
		<pubDate>Fri, 15 Sep 2017 17:41:24 +0000</pubDate>
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		<category><![CDATA[zoe spangler]]></category>
		<guid isPermaLink="false">https://hilltopmonitor.jewell.edu/?p=821</guid>

					<description><![CDATA[ Last weekend Zoe Spangler, senior theatre and applied critical thought and inquiry (ACT-In) major, put on her senior show in Peters Theatre. An adaptation of&#8230; ]]></description>
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<p> Last weekend Zoe Spangler, senior theatre and applied critical thought and inquiry (ACT-In) major, put on her senior show in Peters Theatre. An adaptation of Jeffrey Hatcher’s 1992 play “Scotland Road,” this show features a silent young woman (Hannah Fuhlhage, sophomore theatre major) who was found floating on an iceberg. She was dressed in vintage (1912) clothing and uttered the single word “Titanic” before collapsing. Throughout the show this young woman was held in an intimidatingly bare room with garishly white walls and no windows. While there, she was interrogated by the increasingly abusive John Jacob Astor (Romeo Shaw), descendent of the wealthiest victim of the Titanic, and Dr. Halbrech (Zoe Spangler).</p>
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<p>Described as “a study of obsession, not just as a personality trait but as the source of creativity, the fountainhead from which both art and madness spring,”<a href="http://www.washingtonpost.com/wp-srv/local/longterm/theater/reviews/scotlandroad.htm"> by Lloyd Rose</a>, staff writer for The Washington Post, this show has historically been considered controversial for its use of the Titanic as the focus point of an avant-garde exploration.</p>
<p><img decoding="async" class="size-medium wp-image-11650 aligncenter" src="https://i0.wp.com/hilltopmonitor.com/wp-content/uploads/2017/09/052.jpg?resize=700%2C467" sizes="(max-width: 700px) 100vw, 700px" srcset="https://i0.wp.com/hilltopmonitor.com/wp-content/uploads/2017/09/052.jpg?resize=750%2C500 750w, https://i0.wp.com/hilltopmonitor.com/wp-content/uploads/2017/09/052.jpg?resize=400%2C267 400w, https://i0.wp.com/hilltopmonitor.com/wp-content/uploads/2017/09/052.jpg?resize=768%2C512 768w, https://i0.wp.com/hilltopmonitor.com/wp-content/uploads/2017/09/052.jpg?resize=1024%2C683 1024w, https://i0.wp.com/hilltopmonitor.com/wp-content/uploads/2017/09/052.jpg?resize=700%2C467 700w, https://i0.wp.com/hilltopmonitor.com/wp-content/uploads/2017/09/052.jpg?resize=536%2C357 536w, https://i0.wp.com/hilltopmonitor.com/wp-content/uploads/2017/09/052.jpg?resize=725%2C483 725w, https://i0.wp.com/hilltopmonitor.com/wp-content/uploads/2017/09/052.jpg?resize=1152%2C768 1152w, https://i0.wp.com/hilltopmonitor.com/wp-content/uploads/2017/09/052.jpg?w=1400 1400w, https://i0.wp.com/hilltopmonitor.com/wp-content/uploads/2017/09/052.jpg?w=2100 2100w" alt="" data-recalc-dims="1" /></p>
<p>Regardless of its general reputation, the show was a unique choice to perform with the William Jewell College Theatre Company and a challenge for the students who acted in it. With a small cast of four and a deeply psychological storyline, this show was unlike those usually organized by students and performed in Peters Theatre.</p>
<p>Katherine Watts, senior accounting major, acted as Ms. Frances Kittle in this rendition of “Scotland Road,” and said the experience was “a really big learning process.”</p>
<p><img decoding="async" class="size-medium wp-image-11653 aligncenter" src="https://i2.wp.com/hilltopmonitor.com/wp-content/uploads/2017/09/004.jpg?resize=700%2C467" sizes="(max-width: 700px) 100vw, 700px" srcset="https://i2.wp.com/hilltopmonitor.com/wp-content/uploads/2017/09/004.jpg?resize=750%2C500 750w, https://i2.wp.com/hilltopmonitor.com/wp-content/uploads/2017/09/004.jpg?resize=400%2C267 400w, https://i2.wp.com/hilltopmonitor.com/wp-content/uploads/2017/09/004.jpg?resize=768%2C512 768w, https://i2.wp.com/hilltopmonitor.com/wp-content/uploads/2017/09/004.jpg?resize=1024%2C683 1024w, https://i2.wp.com/hilltopmonitor.com/wp-content/uploads/2017/09/004.jpg?resize=700%2C467 700w, https://i2.wp.com/hilltopmonitor.com/wp-content/uploads/2017/09/004.jpg?resize=536%2C357 536w, https://i2.wp.com/hilltopmonitor.com/wp-content/uploads/2017/09/004.jpg?resize=725%2C483 725w, https://i2.wp.com/hilltopmonitor.com/wp-content/uploads/2017/09/004.jpg?resize=1152%2C768 1152w, https://i2.wp.com/hilltopmonitor.com/wp-content/uploads/2017/09/004.jpg?w=1400 1400w, https://i2.wp.com/hilltopmonitor.com/wp-content/uploads/2017/09/004.jpg?w=2100 2100w" alt="" data-recalc-dims="1" /></p>
<p>Fuhlhage agreed. “For me, it was a little difficult trying to connect with my character because for a while I wasn’t sure whether or not she was real,” she said.</p>
<p>Abstract themes and all, Spangler’s show was well received by large audiences at both performances. Comprised of both Jewell students and community members, the audiences were attracted to the combination of cynicism and comedy.</p>
<p><img decoding="async" class="size-medium wp-image-11646 aligncenter" src="https://i1.wp.com/hilltopmonitor.com/wp-content/uploads/2017/09/057.jpg?resize=700%2C467" sizes="(max-width: 700px) 100vw, 700px" srcset="https://i1.wp.com/hilltopmonitor.com/wp-content/uploads/2017/09/057.jpg?resize=750%2C500 750w, https://i1.wp.com/hilltopmonitor.com/wp-content/uploads/2017/09/057.jpg?resize=400%2C267 400w, https://i1.wp.com/hilltopmonitor.com/wp-content/uploads/2017/09/057.jpg?resize=768%2C512 768w, https://i1.wp.com/hilltopmonitor.com/wp-content/uploads/2017/09/057.jpg?resize=1024%2C683 1024w, https://i1.wp.com/hilltopmonitor.com/wp-content/uploads/2017/09/057.jpg?resize=700%2C467 700w, https://i1.wp.com/hilltopmonitor.com/wp-content/uploads/2017/09/057.jpg?resize=536%2C357 536w, https://i1.wp.com/hilltopmonitor.com/wp-content/uploads/2017/09/057.jpg?resize=725%2C483 725w, https://i1.wp.com/hilltopmonitor.com/wp-content/uploads/2017/09/057.jpg?resize=1152%2C768 1152w, https://i1.wp.com/hilltopmonitor.com/wp-content/uploads/2017/09/057.jpg?w=1400 1400w, https://i1.wp.com/hilltopmonitor.com/wp-content/uploads/2017/09/057.jpg?w=2100 2100w" alt="" data-recalc-dims="1" /></p>
<p>When asked about why she chose “Scotland Road” for her senior show, Spangler said she wanted something new.</p>
<p>“I wanted to choose a show that was going to be stimulating, yet interesting, I wouldn’t get bored with it and that I could easily build, like scenery-wise, with only $300.00. Furthermore, I think the show itself was really compelling to me, something about the absurdism, the sort of avant-gardeness of the storyline itself,” she said.</p>
<p><img decoding="async" class="size-medium wp-image-11640 aligncenter" src="https://i2.wp.com/hilltopmonitor.com/wp-content/uploads/2017/09/010.jpg?resize=632%2C500" sizes="(max-width: 632px) 100vw, 632px" srcset="https://i2.wp.com/hilltopmonitor.com/wp-content/uploads/2017/09/010.jpg?resize=632%2C500 632w, https://i2.wp.com/hilltopmonitor.com/wp-content/uploads/2017/09/010.jpg?resize=400%2C316 400w, https://i2.wp.com/hilltopmonitor.com/wp-content/uploads/2017/09/010.jpg?resize=768%2C607 768w, https://i2.wp.com/hilltopmonitor.com/wp-content/uploads/2017/09/010.jpg?resize=1024%2C810 1024w, https://i2.wp.com/hilltopmonitor.com/wp-content/uploads/2017/09/010.jpg?resize=700%2C553 700w, https://i2.wp.com/hilltopmonitor.com/wp-content/uploads/2017/09/010.jpg?resize=452%2C357 452w, https://i2.wp.com/hilltopmonitor.com/wp-content/uploads/2017/09/010.jpg?resize=611%2C483 611w, https://i2.wp.com/hilltopmonitor.com/wp-content/uploads/2017/09/010.jpg?resize=971%2C768 971w, https://i2.wp.com/hilltopmonitor.com/wp-content/uploads/2017/09/010.jpg?resize=1366%2C1080 1366w, https://i2.wp.com/hilltopmonitor.com/wp-content/uploads/2017/09/010.jpg?w=2100 2100w" alt="" data-recalc-dims="1" /></p>
<p>Spangler’s thought-provoking take on “Scotland Road” was a culmination of hard work and energy of all those involved. Further, the entire process offered Jewell actors and actresses an opportunity to develop and enhance their skills, the evident proof of this being unbridled passion in the faces of these characters as they took to the stage on opening night.</p>
<p>As Spangler said, “[it] was worth all of the time, effort, tears, love and joy we put into it.”</p>
<p><img decoding="async" class="size-medium wp-image-11644 alignnone" src="https://i0.wp.com/hilltopmonitor.com/wp-content/uploads/2017/09/050.jpg?resize=700%2C467" sizes="(max-width: 700px) 100vw, 700px" srcset="https://i0.wp.com/hilltopmonitor.com/wp-content/uploads/2017/09/050.jpg?resize=750%2C500 750w, https://i0.wp.com/hilltopmonitor.com/wp-content/uploads/2017/09/050.jpg?resize=400%2C267 400w, https://i0.wp.com/hilltopmonitor.com/wp-content/uploads/2017/09/050.jpg?resize=768%2C512 768w, https://i0.wp.com/hilltopmonitor.com/wp-content/uploads/2017/09/050.jpg?resize=1024%2C683 1024w, https://i0.wp.com/hilltopmonitor.com/wp-content/uploads/2017/09/050.jpg?resize=700%2C467 700w, https://i0.wp.com/hilltopmonitor.com/wp-content/uploads/2017/09/050.jpg?resize=536%2C357 536w, https://i0.wp.com/hilltopmonitor.com/wp-content/uploads/2017/09/050.jpg?resize=725%2C483 725w, https://i0.wp.com/hilltopmonitor.com/wp-content/uploads/2017/09/050.jpg?resize=1152%2C768 1152w, https://i0.wp.com/hilltopmonitor.com/wp-content/uploads/2017/09/050.jpg?w=1400 1400w, https://i0.wp.com/hilltopmonitor.com/wp-content/uploads/2017/09/050.jpg?w=2100 2100w" alt="" data-recalc-dims="1" /></p>
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